About This Project
For me, classical architecture has always been a language built on proportion, geometry, and rigor. In this series, I explore that syntax through the lens of spoliation, taking historical fragments like Mannerist volutes and Renaissance pediments and reimagining them within new digital compositions.
Instead of rigid replication, I rely on precise vector draftsmanship to bring disparate motifs together, balancing clean stroke hierarchies to honour traditional building forms while pushing their boundaries into something entirely my own.
Every single vector in this project is drawn by hand. I believe deeply in authentic human craft; no artificial intelligence has been used to generate or synthesise any part of these illustrations.